Monday, September 22, 2008
Edited Shadow
My Word
Sunday, September 21, 2008
More Landscape Framing
Framing with Landscape
Framing and Light
Butchering My Foot
Monday, September 15, 2008
Final Photo
Sunday, September 14, 2008
Content, Central Focus, and Composition
Thursday, September 11, 2008
Tom Waits
The photo that I want to analyze is a portrait of Tom Waits by Mark Seliger. The purpose of this photo is to capture the man Tom Waits. Seliger does a particularly well job with this. Tom’s character is very out of the ordinary and he is truly an individual. He is funny and interesting and his music is one of a kind. All of these qualities of Tom can be seen in this photo. I can just picture him singing “The Piano Has Been Drinking (Not Me)” while taking this photo.
The visual elements of this photo are definite and clear. The light comes in from a diagonal creating sharp shadows contrasting the brightness of the light. The light also creates a circle of light close to his face and thus drawing attention to it. The main focus is Waits’ upper body and face because it is the sharpest and clearest. The lines of the photo also help build up the visual elements. The shadow of Tom and the piano create lines on the right side of the photo and Tom’s curved body contrasts the lines on the left side. There is also repetition as seen in his shirt with the creases and the piano structures like the pedals and the keys.
Another key visual element in the photo is the contrast between organic and geometric shapes. Waits creates a very organic shape while the piano very geometric. This contrast brings the photo together nicely. Within the photo, there is a good amount of contrast in value and in shape. When it comes to the values of the photograph, a wide range can be seen. The values vary from the dark of the piano to the white of the light and all of the grays in between. Texture and depth also add interesting points to the photo. Depth is created by the shadow of Waits’ body and the direction of light. And, the texture of his shirt is very pleated and realistic, while the piano has a very smooth and shiny texture. His face also maintains the texture of his wrinkles and his hair is life-like. These are things that make the photo realistic.
The piano has been drinking
my necktie is asleep
and the combo went back to New York
the jukebox has to take a leak
and the carpet needs a haircut
and the spotlight looks like a prison break
cause the telephone's out of cigarettes
and the balcony's on the make
and the piano has been drinking
the piano has been drinking...
and the menus are all freezing
and the lightman's blind in one eye
and he can't see out of the other
and the piano-tuner's got a hearing aid
and he showed up with his mother
and the piano has been drinking
the piano has been drinking
cause the bouncer is a Sumo wrestler
cream puff casper milk toast
and the owner is a mental midget
with the I.Q. of a fencepost
cause the piano has been drinking
the piano has been drinking...
and you can't find your waitress
with a Geiger counter
And she hates you and your friends
and you just can't get served
without her
and the box-office is drooling
and the bar stools are on fire
and the newspapers were fooling
and the ash-trays have retired
the piano has been drinking
the piano has been drinking
The piano has been drinking
not me, not me, not me, not me, not me
Mark Seliger
Mark Seliger is originally from Amarillo, Texas and attended school at the High School for the Performing and Visual Arts in Houston. He currently lives in New York City. He first made his name as the chief photographer of Rolling Stone Magazine. His works, therefore, consists mainly of portraits of famous musicians and actors such as David Bowie and Drew Barrymore. Currently, he is working under GQ and Vanity Fair magazines. In addition to photography, he has co-directed several music videos and directed some short films.
The most interesting aspect of his work is his location, his private space. In New York, he bought some worthless property in a shady part of town, and turned it into his perfect photography studio consisting of a brick abandoned elevator shaft. Once he made progress with the so-called private space, the once shady streets turned to a hip fashion center. Eventually, he realized
that he used the location so much that it became the base of a book of his works. The wall became more of a subject in the photo than just a simple background. This collection of photographs turned in the book “In My Stairwell.” The photos communicated a connection to the arts as well as to the individuals who were photographed.